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Episode 44 Vengeance Out of America - Part II... from the Files of Hydrogen Guy 11:30 PM EDT, April 2nd A tense standoff. Our heroes - the indefatigable Hydrogen Guy, the idiosyncratic Deuterium Boy, the imperishable Chuck War, and the irrepressible Reaper - face Americana, a peeved and powerful popsy in the red, white and blue. She directs her hard glare at Chuck War, as well as her left arm - recently restored, and now bearing a bolt launcher with two nasty-looking sharp-tipped bolts aimed at Chuck War's throat. She covers the other three with the energy blaster mounted on her right arm. Chuck War Americana Hydrogen Guy Americana Deuterium Boy Americana Hydrogen Guy raises an eyebrow. Hydrogen Guy Deuterium Boy Americana Chuck War Deuterium Boy Chuck War Americana Chuck War Americana Hydrogen Guy Americana Hydrogen Guy Chuck War Americana Chuck War Reaper Deuterium Boy Americana Chuck War exchanges glances with Hydrogen Guy. HG shrugs. Chuck War He drops the pistol on the ground and reaches into his jacket pocket. Pulling out the CD case and backup tape, he holds them up for Americana to see. She gestures for him to place them on the ground and back away. Chuck complies. She steps forward and crouches to pick up the objects, carefully keeping her weapon trained on Chuck War and the others. She grabs the stuff, stands and fires. With super-atomic speed, Deuterium Boy knocks Chuck War out of the bolt's path. But even so, he's not quite fast enough - the bolt plunges through his own right shoulder. Deuterium Boy yelps as he and Chuck War hit the ground. Hydrogen Guy and Reaper spring towards her, weapons drawn. Americana leaps a three meters into the air from standing, and they only catch a glimpse of her satisfied smirk as she fires up her jet-pack and streaks away into the night. Hydrogen Guy Chuck War He turns and races over to where Chuck kneels over Deuterium Boy. The isotopic avenger lies on the side of the road, Americana's crossbow bolt protruding from just below his right shoulder. Hydrogen Guy Deuterium Boy Hydrogen Guy Chuck War Deuterium Boy Hydrogen Guy Deuterium Boy Chuck War He points to a point of the shaft just above where it protrudes from DB's body. There appears to be some kind of mechanism attached to it. Hydrogen Guy Chuck War Deuterium Boy Chuck War Deuterium Boy Hydrogen Guy Reaper Chuck War Hydrogen Guy Chuck War Deuterium Boy Hydrogen Guy Deuterium Boy Hydrogen Guy Deuterium Boy Chuck War Deuterium Boy Hydrogen Guy and Chuck War gingerly help him to his feet, an the group resumes their way to the War Rig. 2:57 AM EDT, April 3rd Chuck War comes down the stairs into the abandoned monastery's central atrium, where the others have set up a command centre. Hydrogen Guy and Reaper, now dressed again in his comfortably familiar black cloak, have hooked up the portable generator, lights, and a lap top computer from the War Rig. Deuterium Boy sits at a round table nearby, with two eccentric-looking strangers. These, Chuck thinks to himself, must be the reservists. The world suffers from a capricious allotment of super-powers. Some, such as the Diatomic Duo or Captain Toronto, find themselves with full suites of powerful abilities far beyond those of mortal persons. But others find themselves with only a small amount of the installation - perhaps one or two unusual abilities, useful only in unusual circumstances, or in combination with other powers that they do not possess. Sure, the ability to turn yourself into a horse may be cool and all - but who needs a horse? People in this situation may become reservists in the League of Heroes - not full-fledged heroes themselves, but available to be called upon by full-fledged league members should the need arise. The need having arisen, Chuck takes stock of the individuals before him. They remind him strongly of characters from a fantasy novel - a party of adventurers had stopped by, and apparently left behind their dwarf and ogre. The "ogre" is a strapping man a good two inches taller, and broader, than Chuck himself, an impressive feat as Chuck War is no small individual himself. The man is completely bald, lacking even eyebrows. He is dressed in jeans, a T-shirt proclaiming his allegiance to a local brewery, and a leather jacket. The other man, the "dwarf", may lack in height - he comes up only to the middle of Chuck's chest - but he makes up for it in hair. The hair on his head is full and wild, but not unkempt; he has a full, bushy beard, and his single eyebrow looks as if a large caterpillar had fallen asleep on his forehead. He is dressed in grey slacks and a pressed white shirt, as if he had been called away from the office, his only concession to the absurd time of day being his lack of jacket and tie. Beside him is a black doctor's bag. Hydrogen Guy Chuck War Hydrogen Guy Chuck War Hydrogen Guy The short man springs to his feet and pumps Chuck War's hand. Medusa Joe Chuck War Medusa Joe He closes his eyes and twitches his nose. Like it had a life of its own, his hair and beard suddenly start growing by the foot. When they stop, Joe and Chuck War are surrounded by what must be feet upon pounds upon gallons of bushy brow hair. Chuck War Medusa Joe Chuck War Medusa Joe He twitches again and the hair begins to recede. In a second he's resumed his normal appearance. Medusa Joe Chuck War Hydrogen Guy Chuck War Gash Chuck War Gash Chuck War Gash Deuterium Boy Chuck War Deuterium Boy Medusa Joe Chuck War Hydrogen Guy Medusa Joe Chuck War Hydrogen Guy Deuterium Boy Chuck War Hydrogen Guy Chuck War Deuterium Boy Hydrogen Guy Deuterium Boy Hydrogen Guy 9:22 AM EDT, April 3rd Hydrogen Guy bounds into the atrium - or, as moves with the closest approximation to a bound that someone who'd had four hours sleep can manage - carrying two paper bags. Reaper, who had been manning the entrance in anticipation of his return, glides along behind him with a tray of styrofoam cups. Hydrogen Guy Medusa Joe Hydrogen Guy He passes out the cups and McWrappers. Medusa Joe, looking considerably more rumpled, puts down his newspaper and takes his coffee gleeful. Chuck War and Gash, locked in a fierce struggle over a chessboard, do not look up as they receive their goods. Deuterium Boy pauses his game and devotes himself to breakfast. Hydrogen Guy Medusa Joe Hydrogen Guy Medusa Joe Hydrogen Guy Deuterium Boy Medusa Joe Hydrogen Guy Deuterium Boy Hydrogen Guy Deuterium Boy Medusa Joe Deuterium Boy Hydrogen Guy Deuterium Boy Reaper Deuterium Boy Medusa Joe Hydrogen Guy Medusa Joe Hydrogen Guy He polishes off the last of his breakfast and lobs the wrapper at Reaper's noggin. Reaper, in top form as always, deflects it with his scythe without any noticeable movement of muscles. Hydrogen Guy Medusa Joe Hydrogen Guy The whole group starts as the laptop beeps loudly. Chuck War and Gash leap from their seats and rush to the computer, their contest suspended. Hydrogen Guy Chuck War Hydrogen Guy Deuterium Boy Chuck War taps at the keyboard, deaf to Deuterium Boy's protests over closing the game, and pops open a QuickTime window. Americana's face, backed by an office of some kind, looks back at them. She smiles, reminding Hydrogen Guy of a shark. Americana Hydrogen Guy & Deuterium Boy Reaper Americana Chuck War Hydrogen Guy Her smile fades. Americana Deuterium Boy Americana Chuck War She smirks briefly. Americana Chuck War Americana Hydrogen Guy had a crawling feeling on the back of his neck. He hated the tendency of many superheroes - predominantly American ones - to refer to themselves and each other as "metahumans" - implying, he thought, that they were somehow "beyond" the average human. No one who knew the details of this mess, he thought, could ever seriously consider that. Chuck War Americana Hydrogen Guy raised his eyebrows in surprise. Chuck War and Deuterium Boy both looked at him. Ignoring the ever-strengthening crawling feeling, he nodded his assent. Hydrogen Guy Americana Her image winks out, and is replaced by the crest of the U.S. State Department. Chuck War closes the window, and turns to Hydrogen Guy. Chuck War Deuterium Boy Hydrogen Guy Gash Hydrogen Guy Deuterium Boy Medusa Joe Chuck War Hydrogen Guy Medusa Joe Deuterium Boy Medusa Joe Chuck War As the group moves off to their prearranged tasks, Hydrogen Guy catches Chuck War's arm. Hydrogen Guy Chuck War Hydrogen Guy Chuck War Hydrogen Guy Chuck War Hydrogen Guy Chuck War Hydrogen Guy Chuck War Hydrogen Guy Chuck War Office of the Ambassador, Embassy of the United States of America, Ottawa Americana cut the transmission. She turns to her audience. The U.S. Ambassador is here, along with the Embassy's nervous-looking Chief of Operations, Gerald Wainwright. The two other people in the room - one man, one woman - are dark suited members of an organization that everyone knows exists but no one will admit to. Agent #1 Agent #2 Americana The Chief of Operations fidgets. Wainwright Ambassador Wainwright Agent #2 Wainwright Ambassador Americana She turns in the chair to look out the window. She looks out at Confederation Boulevard, across to the glass arches of the National Art Museum. Americana She smiles pleasantly. Mr. Wainwright is not in the least reassured. 10:29 AM EDT, Hydrogen Guy Gash Hydrogen Guy looks out over the city of Ottawa. From 24 stories up, he can see all of the major landmarks - Parliament, the Chateau Laurier, the National Art Gallery, the Rideau Canal - and of course, the American Embassy. Hideous thing, he thinks. An enormous grey box, low to the ground, looking something like a cross between a battleship and a nuclear power plant, particularly with the odd tapered octagonal cap on the roof that looked remarkably like a cooling tower, or something that you launched missiles from. Surrounding the building is a seven-foot piked fence. The only apparent concession to aesthetics (or what the architect believed was aesthetics, anyway) was an attempt at a sculpture on southwest side; he had heard it was supposed to represent the prow of a ship, but it looked like nothing much more than a flying stick. Trust the Americans, he muses, to build an embassy like a fortress in what was probably the friendliest country on Earth to them. Gash is spared looking at this architectural disaster, owing to the fact that he has crammed himself between an air conditioning unit and a bit of apparently superfluous masonry. A tight squeeze for his considerable size, but he remains hidden from view. A reflection catches Hydrogen Guy's eye - light glinting off of a piece of body armor. Hydrogen Guy Gash Hydrogen Guy looked up, watching Americana descend onto the roof in front of him. As she touches down and kills the hover-jets, he walks towards her, and assumes a stance like a gun-fighter. His hand stays away from the Ruler of Elendil, but it is there, visible in its scabbard. Americana approaches him confidently. She extends her right hand. Americana He warily takes her hand. She has a firm grip. In actual fact, the hand and most of the arm he is shaking is largely artificial, and could crush his easily. Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Blurry camcorder shots of a UFO some guy shot in his backyard, thinks Hydrogen Guy. Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy stares out over the Rideau Canal. The water is still low this time of year, and it looks muddy. Hydrogen Guy Americana Hydrogen Guy Americana Hydrogen Guy As Hydrogen Guy and Americana had debated, Gash found himself growing ever less comfortable. While keeping one steady eye on the Enemy, he found that he could stretch his legs out one at a time behind the air conditioner in such a way as not to be visible. Should Americana move in such a way that she might be able to spot it, he drew his leg back. However, he neglected to watch Hydrogen Guy, trusting that he would be intelligent enough not to exclaim "Oh look! A leg!" should he spot him. However, during the course of this last speech, Hydrogen Guy had begun to pace a bit about the roof. So intent was Gash on keeping tabs on Americana, that he neglected to watch Hydrogen Guy's progress; and so intent was Hydrogen Guy on his witty, insightful argument, that he failed to notice Gash's leg. In short, he tripped. Gash tried to pull his leg back in, but Hydrogen Guy sprawling across it made this difficult. They try to disentangle themselves, but not quickly enough. Americana rounds the corner to see Hydrogen Guy scrambling to his feet. She pushes him aside, and reaching between the building and the air conditioner, she hauls Gash out and lifts him up like a recalcitrant puppy. Americana Hydrogen Guy Americana glares at him. Americana Hydrogen Guy Americana Putting her back into it, she hurls Gash off the roof. She fires another icy glare at Hydrogen Guy, and her hover-jets come to life. Rising into the air like a goddess scorned, she delivers a parting shot. Americana She spins and blasts off in the direction of the Embassy. Hydrogen Guy Traffic on Colonel By Drive, which runs beside the Canal and directly past the Westin, has come to a sudden and confused halt. Hydrogen Guy arrives on the scene just as Chuck War, Deuterium Boy, Medusa Joe and Reaper do, leaping out of the War Rig pointed the wrong way down the left hand lane. Hydrogen Guy Deuterium Boy Reaper Chuck War Hydrogen Guy looked down at the unconscious Gash, who had landed in the middle of the road, making about a half centimeter impression in the pavement. Hydrogen Guy Medusa Joe was on his knees, poking and prodding Gash's back, and periodically listening. He raised his eyebrow incredulously. Medusa Joe Deuterium Boy A small crowd of people, of varying degrees of curiosity and pique, had formed around them. An authoritative voice was calling out for them to make way, and a member of the Ottawa-Carleton Regional Police elbows his way to the front. Policeman Hydrogen Guy Policeman Chuck War Policeman Gash Medusa Joe and Hydrogen Guy kneel and help Gash get to his knees. He shakes his head groggily, then waves off further help. Policeman Gash He gets to his feet. Policeman He does a double, then a triple-take as he spots first Deuterium Boy with a crossbow bolt protruding from his chest, and then Reaper, looming silently and ominously. Policeman 10:50 AM EDT Americana pushes guards aside and storms into the embassy. The two agents rush to meet her. Agent #1 Americana The agent yanks a walky-talky to his mouth. Agent #1 Agent #2 Americana disappears into an elevator. Lights start flashing, sirens whoop, people in and out of uniform scurry around like beetles. Something in the basement rumbles. Policeman Gash glares at him. He winces as he plucks a piece of asphalt off his skin. Policeman Hydrogen Guy Policeman Hydrogen Guy Gash Hydrogen Guy follows his gaze past the policeman's shoulder and his jaw drops. The other stare, shocked. A deadly hush falls over the crowd. The policeman just looks at Hydrogen Guy impatiently. Deuterium Boy Hydrogen Guy Policeman Hydrogen Guy With super-atomic speed, Hydrogen Guy and Deuterium Boy sprint the two blocks to the corner of Sussex and George, a millisecond before the cop could start spluttering and ask him if he's off his rocker. Unfortunately, he wasn't. The blocky, fortress-like Embassy building had somehow pulled itself up from its foundations, and was slowly rising to stand erect. The building had split like a kind of fiendish Chinese puzzle box, the individual blocks arranging themselves into arms, legs, and a torso. The octagonal cap had shifted to become a head, now sporting a bank of laser cannons which suggested eyes. The stick-like sculpture now dangled from an enormously thick chain, fifteen stories above the city street, dangling from an arm as long as a city block like a gigantic flail, the sculpture itself now enveloped by a glowing violet force field. The behemoth stands a good ten floors taller than the Westin. Deuterium Boy Hydrogen Guy Deuterium Boy Hydrogen Guy The War Rig screeched up behind them, sirens blaring. Medusa Joe and Reaper leaped out, and Gash and Chuck War leaned out the window. The behemoth stood perfectly still, for the moment, standing astride the now-empty foundations of the former Embassy. Tourists ran screaming everywhere. Hydrogen Guy couldn't help but notice a lot of them seemed to be Japanese. Hydrogen Guy Chuck War Hydrogen Guy Chuck War They pull their heads back in the cab. Chuck War speaks quickly, gesturing; Gash nods. Chuck calls "Stand back!", and Gash hits a little-used switch in the glove compartment. The War Rig practically leaps into the air as it seems to split apart, and reassemble itself into another, much smaller robot. Chuck War is still visible through the canopy, now in the robot's chest; he and Gash are sitting back to back. Chuck War's voice booms out over a speaker in the robot's (rather familiar) head. Chuck War Deuterium Boy Jump-jets on the War Robot's legs fire and it takes to the air. Hydrogen Guy looks around, taking stock. Hydrogen Guy The giant robot continued to stand absolutely still; perhaps picking its target. Immediately behind the Embassy was the castle-like Ministry of National Revenue; next door to that, the Chateau Laurier. Directly in front of the Embassy is the all-glass National Gallery of Canada, housing hundreds of irreplaceable artworks. Next to that, the Notre Dame Cathedral Basilica. The Parliament buildings were just a short distance to the west. Hydrogen Guy Medusa Joe Hydrogen Guy and Deuterium Boy suddenly realize that Reaper is no longer with him. They spot him, scythe strapped across his back, climbing up the Ambassatron's leg. Hydrogen Guy He turned and waved, then continued climbing. Deuterium Boy The giant creaked and began to move. As the War Robot circled around behind it, it started turning, raising the sculpture-force-flail. Medusa Joe Hydrogen Guy Deuterium Boy Hydrogen Guy Deuterium Boy Hydrogen Guy Meanwhile, the War Robot had circled around in front of the giant. Ambassatron swatted at it with its free hand. It dodges easily, brings up the super-sized Argon Blast Cannon and opened fire. Chuck wasn't the least surprised to see it had actual space-grade armoring. Ambassatron returns fire with its eye lasers, sending the War Robot dodging its red beams of death. Reaper clings onto the back of Ambassatron's knee for dear life, hoping it wouldn't try a sudden crane kick. If he could just make it to the torso... At the bank of the Ottawa River, at the mouth of the Rideau Canal, Hydrogen Guy, Deuterium Boy and a heavily panting Medusa Joe could still see the battle's progress without difficulty. Each lurching step of the Ambassatron brought it closer to opening up on the nation's cultural heritage, but the War Robot was doing all it could to keep it back. But that was like a large horsefly doing the best it could to stop an advancing wild boar. Hydrogen Guy Deuterium Boy Medusa Joe Hydrogen Guy pointed to the water. Hydrogen Guy Deuterium Boy Medusa Joe's eyes widen. Medusa Joe Hydrogen Guy Deuterium Boy Hydrogen Guy Medusa Joe Hydrogen Guy Deuterium Boy & Medusa Joe Hydrogen Guy Deuterium Boy Hydrogen Guy He glanced up. Ambassatron was looming over the Gallery, it's reflection plainly visible in the glass. The War Robot was directing its full fire at the head, apparently trying to take out its brain or optical sensors. Hydrogen Guy Deuterium Boy Hydrogen Guy They dash into the water, wading in up to their waists. Hydrogen Guy draws the Ruler of Elendil - which has frequently acted as a channeler and amplifier for his powers - and points it out into the open water. They each place one hand on the Ruler, and the other (gingerly) on the bolt protruding from DB's chest. Hydrogen Guy Deuterium Boy Hydrogen Guy Deuterium Boy They reach out with their Elemental senses to the plastic explosive at the core of the bolt. Atoms start moving willy-nilly in the material. Bonds start breaking - and then - a chain reaction is triggered. Deuterium Boy squeezes his eyes shut and grimaces. They both redouble their concentration. A beam of yellow energy, like tightly contained fire, shoots out from the bolt and into the base of the Ruler. The tip of the Ruler starts to shine a bright blue, and then a brilliant beam shoots out from it into the water in the distance. The river water starts to churn and boil. A swell develops, which enlarges into an unnatural bulge, which grows, and grows... Medusa Joe Slowly, the water pulls itself up into a vertical blob. Two great pseudopods pull free, forming arms. A split develops at the base, which then separates into legs. The great, blobby body twists as if looking up at the Ambassatron in stern disapproval. Then it begins to walk. Medusa Joe scrambles out of its way as it pulls itself onto the shore; Hydrogen Guy and Deuterium Boy follow it with the beam, like two kids with a remote control car. The Water Behemoth starts climbing up the bluff; it pulls itself into Major's Hill Park, and thousands of tonnes of water in humanoid shape, ten stories high, starts walking towards the National Gallery. The War Robot, at this point, is frantically pulling at the Ambassatron's sculpture-flail, trying to pull it away from the Gallery. If the giant robot had a face, it would be wearing an expression of exasperation. It reaches out and grabs the War Robot with its free hand, and prepares to crush it. A sixth sense disturbs it. It pauses in its satisfying work, and slowly, ponderously, turns around, to find the Water Behemoth staring at it with a stern but watery glare. The scene might remind one of Medusa Joe confronting Gash, such is the size disparity; but for a second, the Ambassatron suffers a moment of doubt. The Water Behemoth looks steadily up at it, and you can be forgiven if the sloshing of its constituent parts seemed to say - "Why don't you pick on someone your own size?". While Hydrogen Guy and Deuterium Boy stood debating on the shores of the Ottawa River, Reaper had been busy. Reaching the torso, slashing through an armor-plated window and gaining entrance was the work of the moment. Despite the fact that floor should have been, by all rights, vertical, Reaper drops neatly to the floor. Apparently the Embassy appeared to come with gravity generators. Chuck War would find that interesting. Wasting no time, Reaper heads off to what he determined was the control centre. He has the ability to reach into the astral plane, and see the auras of the mortals around him. The aura of Americana, who he would bet heavily on as the controller of this Goliath, was unique, poisoned as it was by a combination of old rage and bionics. It makes tracking her easy. Stealing down the hallway, he comes to a large, titanium door. Locked and sealed. He shakes his head - in a situation like this, the crew of a giant mecha had to operate as a unit. That their "leader" separated herself from her crew spoke volumes. The door is torn open with six strokes. Cautiously, Reaper steps into the control centre. The room is dark, except for numerous blinking lights on unmanned control panels. Up ahead, he sees the back of a chair, which seems to be the nexus of a web of wires and cables from all over, back-lit by a bank of television screens displaying the Ambassatron's view of the world. He pauses, catching a glimpse of his reflection in one of the screens. There is no reaction from the occupant of the chair. The images on the screens are steady. The Ambassatron, apparently on the verge of crushing the War Robot which had been worrying it, has stopped. Americana Slowly she turns around. At the same time, he can see that the robot is turning, mimicking her movements precisely. As she turns, he sees that that all the cables are patched directly into her - into a series of ports on the back of her skull, in her temples, her arms, her legs. One by one, she pulls the cables out, letting them drop to her side. She gets to her feet. Americana She grabs the blaster mounted on her arm and pulls it off, throwing it to the floor. She pulls the bolt launcher off the other arm. She walks towards him. Americana The Water Behemoth attacks! It launches itself at the Ambassatron, grabbing it by the waist, and turning it away from the Gallery building. It throws all its weight into the task at hand, and it gets results. The Ambassatron topples as if in slow motion. It seems ages, 30 (or is it 24) stories falling backwards. At last it crashes to Earth, its enormous feet a scant five meters from the glass walls of the National Gallery, it's head smashing back into its own abandoned basement, the rest of it sprawling across and smashing flat the Peacekeeper Memorial and the (thankfully empty) Confederation Boulevard. The impact is like a small earthquake (the NRC measured it at 2.1 about a half kilometer away), which shatters a few windows, spreads debris flying, and bursts the Water Behemoth like an enormous water balloon. For a few seconds, it's like a flash flood has hit downtown Ottawa. Then, it's all over. Peace and chaos reign. 9:47 AM ADT, April 5th Lydia calls out for her husband as she walks through the kitchen door, arms laden with heather. Getting no response, she wonders if he'd gone back to bed. Impossible, Harold had been getting up at 5:30 every day for years... retirement wouldn't be enough to make a lazybones of him. She sets down her bundle next to the sink and strips off her gardening gloves. The tea cozy sits on the sideboard. She picks it up experimentally, and finds the still-warm alabaster tea-pot (with the chipped spout) beneath it. Hm. Just then she spies the National Post on the kitchen table. She goes over and reads the front page - "MASSIVE CLEAN-UP IN NATION'S CAPITOL". She smiles slightly and shakes her head. She should have known, it was the same yesterday. She pours herself a cup of tea - English Breakfast, neither of them could ever stand Orange Pekoe - picks up the paper, and carries both upstairs. At the top of the stairs, she sees as she expected she would that the steps to the attic had been pulled down. Climbing the steps into the attic, she could hear him humming - an old English folk tune whose name she could never remember. It's not too dusty up here, and it's fairly well served by natural light from the quaint, nautical windows set into the roof. The dressmaker's mannequin, she isn't surprised to see, is empty. Coming around between it and her old hope chest, she finds her husband admiring himself in the mirror. She sighs in spite of herself. She didn't approve, strictly, of her husband's past, but she does have to admit he looks terribly dashing dressed up like that. Black breeches, stockings, shoes with bright brass buckles. He was fiddling with the collar on his ruffled shirt when she came in. He had a bit of powder on his shoulder from the wig, which he had freshly powdered yesterday. And that rakish, serge red coat, which he had spent hours brushing yesterday, and had probably spent a good hour on today. Her sigh caught his attention, and he turns around. He spreads his hands out in a "how do you like me" gesture. Harold Lydia Harold Lydia Harold Lydia Harold He perches himself on the edge of an old trunk, and bends down to bring up his tea. He sips it and makes a face - it's cold. Harold Lydia Harold Lydia Harold Lydia Harold Lydia Harold Lydia Harold She sipped her tea and looked at the paper. The photo showed bulldozers clearing the remains of the U.S. Embassy. Harold Lydia Harold Lydia Harold He pulls the wig off, revealing mussed hair almost as white. He smoothes it out and regards the wig with affection. Harold He twirls the wig around on the edge of his finger. Harold Lydia Harold He stands up and has another gander at himself in the mirror. He strikes his most dashing pose. Harold [fade to black, roll credits]   |
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